Unit 15: Audio Visual : 2017

Monday 27 November 2017

LO:2 Script (Josh)

The White Room Trailer

JOSHUA GRAY, JACOB WYLDE, MATTHEW FROST AND FRAZER MCLEAN

AUDIO: TICKING NOISE IS CONSTANT THROUGH OUT THE WHOLE TRAILER.

INT. CLOSE UP OF CHRISTOPHER IN HIS BEDROOM. HE’S JUST WOKEN UP AND IS YAWNING.

CUT TO.

INT. SLIDER SHOT OF THE INSIDE OF AARONS BEDROOM.

CUT TO.

INT. STILL IN AARONS BEDROOM, HOWEVER, IT’S A PANNING SHOT OF HIM TAKING A BALACALAVA OUT OF HIS DRAW.

CUT TO.

TITLE: LIONHEART MEDIA.

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INT. LOSE UP OF CHRISTOPHER IN HIS BATHROOM COMBING HIS HAIR.

CUT TO.

INT. MIDSHOT OF WAYNE SAT AT A TABLE SPEAKING TO AARON.

WAYNE: DO YOU KNOW WHERE THE LOCATION IS?

CUT TO.

INT. EXTREME CLOSE UP OF CHRISTOPHER GRABBING HIS COAT.

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INT. EXTREME CLOSE UP OF CHRISTOPHER PUTTING HIS SHOES ON.

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TITLE: IN ASSOCIATION WITH BRAIN FREEZE PRODUCTIONS

CUT TO.

INT. CLOSE UP OF AARON OPENING HIS DOOR.

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EXT. MEDIUM LONG SHOT OF CHRISTOPHER STOOD, TEXTING ON HIS PHONE AT THE BUS STOP.

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INT. EXTREME CLOSE UP OF WAYNES HEAD TURNING FROM FACING TO THE RIGHT TO TURNING TO THE LEFT OF THE SCREEN.

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EXT. MID SHOT OF CHRISTOPHER WALKING DOWN THE STREET TOWARDS THE CAMERA/THE CAFÉ.

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INT. SLIDER SHOT OF CHRISTOPHERS FEET SAT AT THE TABLE IN THE CAFÉ.

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INT. MID SHOT/TWO PERSON SHOT OF WAYNE AND AARON SAT AT THE KITCHEN TABLE.

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INT. SLIDER SHOT OF ANDREW STARING BEHIND HIM IN THE CAFÉ SAT AT THE TABLE WITH CHRISTOPHER IN THE BACKGROUND.

CUT TO.

EXT. MEDIUM CLOSE UP OF AARON STOOD AGAINST A WALL, GETTING READY TO KIDDNAPP AARON.

CUT TO.

INT. CLOSE UP OF CHRISTOPHERS PULLING A SAD FACE IN THE CAFÉ.

CUT TO.

EXT. OVER THE SHOULDER SHOT OF AARON FOLLOWING CHRISTOPHER FROM BEHIND.

CUT TO.

TITLE: THE WHITE ROOM.

Tuesday 21 November 2017

The target audience for The White Room would be men between the ages of 18 and 40 from the ABC1 groups of the NRS social scale. The target audience will already have an interest in thrillers/intense films.

Audience Profile

Mark is a 28-year-old, lower-middle-class assistant manager at a local hotel. He earns around £32,000 a year so he has an average amount of disposable income, most of which is spent on films as he loves to go to the cinema. He spends around £30 a month on film-related activities, this includes going to the cinema as well as paying for streaming services like Netflix. He owns his own car, only a hatchback but it is relatively new. He also has a fiancé, so is saving a lot of his spare money for a wedding.

When he was younger he used to dream of being a film producer, he received a small camera for his birthday one year and used it regularly to act out scenes from his favourite films like Terminator and Goldeneye. As he grew up he lost interest in working in the film industry however he never lost his love for intense films. This is where The White Room comes in. Mark hasn't been to the cinema as frequently over the past few months as he is saving money for his wedding, so when he decides to go he wants to make sure he see's something he knows he is going to like. He remembers seeing the trailer for The White Room, he remembers the suspense it created and his desire to find out more about the narrative of the film.

Purpose

The main purpose of trailer is to advertise our short film “The White Room”. The purpose of the trailer is also to cause suspense as the genre of the short film is a thriller. This will be to get the target audience want to see the short film as they will be curious to find out how the events of the short film pan out. The main point of the trailer is to make the target audience want to go and see the film without ruining the main events of the film.

What must be in the final promo to appeal to the target audience Matt

The trailer must contain ideal self / partner qualities to appeal to the audience and we should consider this when casting actors for the roles and aim for them to appeal to the target audience. We could use a range of camera angles to make certain characters look powerful and certain characters look venerable.

Marketing / advertising techniques Matt

As a large proportion of our target audience will be working professionals using above the line advertising methods in city centres would make sense i.e. bus stops/billboards are accessible in built up areas. We could also focus on a social media campaign which targets the audience using web 2.0 and below the line marketing techniques, this is appropriate as our target audience is made up of digital natives and will almost all have social media accounts.

Brief Synopsis Matt

The narrative that this trailer is aiming to portray is one about a 20 year old male who is kidnapped on the orders of a gang far bigger than them selves who us the poor and venerable to do their dirty work for them, in this case Wayne a 40+ year old war veteran left with nothing has befriended a young and good looking accomplice into his gang, Aaron. As Aaron is a new member to the gang the boss has requested that he proves himself and Chris is there to supply him with the details and make the location is secured.

In this audio visual trailer we aim to not give to much away to the audience so we don't ruin the climax of the film.

Chosen genre

We have chosen to work in the genre of thriller/crime/drama, As we have chosen to work in this genre we must consider the appropriate way to structure the trailer and manipulate the mise en scene to give the audience an indication of the style and genre.

The required crew

Actors

We will require actors to fill the following roles:

Antagonist - Chris

2nd Antagonist - Aaron

Protagonist-

Side kick/partner-

Camera

We require 2 camera operators for this production

Director

We require a clear sense of direction in this production to make the actors perform at their very best

Required equipment

Tripod X2
DSLR X2
Slider X1
Portrait lens X2
Standard lens X1
microphones X2
Tie mic X1

Suggested locations

Holland street
Cafe creme
Sheffield and the surrounding areas

We must consider locations that are easy to locate and fit with the mise en scene and iconography of the narrative.

Monday 23 October 2017

LO2: Legal and ethical and moral issues (all)

Legal and ethical and moral issues

Legal considerations:

There are several legal issues that must be avoided when making a trailer for a film. The six that are of most relevance are below.

This law protects the creations of people within the market place. It means that we are not allowed to take music which we have no claim to, or permission to use and other people are not allowed to steal scenes from our film and put them in their own products.

For our product we will need to gain copyright permission from the owners of the music which we plan to feature in our short film.

Data protection act.

This law means that we have to be very careful to protect the contact information of the people who we have contacted for this film. It also means that we have to have our actors sign release and consent agreements so that they can appear in our film. This will include the actors in our film such as Joe Facer.

Ethical considerations:

Discrimination

Discrimination refers to to the hiring policy of our film. We must ensure that the policy of the film does not exclude anyone because of their ethnicity, gender or sexual orientation as well as this we must do everything in our power to make sure that our product is diverse.

representation

Our film risks being accused of misrepresentation due to the protagonists being portrayed as middle class while the antagonists are to be working class (and are shown in the script to be struggling financially) To this end we will ensure that our characters are portrayed in a grounded and realistic manner which could not be considered offencive.

BBFC AND OFcom:

The BBFC (British Board of Film Classification) is responsible for the classification and censorship of films released in the United Kingdom. The promo for The White Room would receive a "12" rating from the BBFC as it would feature a moderate amount of threat and violence with little to no explicit language. We will adhere to the BBFC guidelines by not using an excessive amount of explicit language or any graphic violence.

OFCOM is the UK regulatory authority for the broadcasting, telecommunications and postal industries of the united kingdom. OFCOM are relevant to the trailer for The White Room as it is being distributed online. This means that it must abide by OFCOM's regulations if it is to be advertised online on websites such as YouTube. There are rules set by OFCOM (section 3 of the broadcasting code) that state they must prohibit material that is likely to incite crime or disorder. Although our film does show part of a kidnapping taking place; it is not overly graphic and I believe it does not incite violence.

5.) Based on your promo – how could people/ places be MISREPRESENTED? Give examples and state how you avoid/ prevent this.

The cafe that we use in the trailer could be misrepresented as there is a kidnapping the takes place outside of it. Obviously there aren't kidnappings at the cafe (that I am aware of) so this could be a misrepresentation as the cafe as well as the surrounding area. Young men could also be misrepresented as they are shown to be kidnappers, however, we also use other young men in the story who are portrayed as kind and one of them is the person who gets kidnapped. This can help to counter the argument that we are creating a stereotype for young men.

6.) Based on your promo – where would you need to seek copyright permission – give examples. Be clear about how you would seek permission.

If we have a scene that features a recognisable brand we would need to ensure that we seek permission from the owner for use of the product. We will also need to get rights to the music that we use (if any) or any sounds as we are intending to use ticking noises in our trailer to create suspense. However, we are planning to use copyright free noises and if we do use any other noises we will try to ensure that they are copyright free. To gain permission for our noises we can find the website/owner and email them for permission to use the content.

Based on your promo – which assets would need royalties for the intellectual property – Give examples. Be clear about how you would go about this.

We intend on having a ticking clock noise going over the video to build suspense, to avoid requiring to purchasing the royalties we will use royalty free audio track courtesy of creative commons, but may be required to give credit to the artist, this would depend on the terms and conditions of the provider, this must be checked before using the sound track.

Value orientated frameworks – based on the purpose of your promo ( inform/ educate/ entertain/ promote/ advertise) – give 3 ways that you plan for your product to meet that purpose. How will this attract/ appeal to your audience?

The trailer will entertain the audience by build suspense up into the climax of the trailer where is gives a great indication towards the style and narrative of the product.

The video will promote the film by using title graphics to show the release dates and title of the product to build a brand identity and inform the audience on when they can access the product.

this will advertise the media product "The White Room" a short film about a kidnapped victim through giving an indication of style to the audience to target the demographic.

LO2: Call sheets

LO2: Job roles

=================================JOSH==================================

We used Star Now to find actors for our trailer. We managed to find two actors from this website (Lee Horabin and Joe Facer) who played the parts of Wayne and Christopher respectively. We had to use two members as the actors for Aaron and Andrew as a lot of the actors that we messaged were either unable to attend filming sessions or failed to get back to us. Me and Matt Frost featured as Andrew and Aaron.